Inspired by Melissa de la Cruz’s New York Times best-selling novel, "Witches of East End" centers on the mysterious Beauchamp family: free-spirited artist Joanna (Julia Ormond) and her two grown daughters, wild-child bartender Freya (Dewan Tatum) and shy librarian Ingrid (Rachel Boston), both of whom are unaware that they are gifted (and cursed) with a magical birthright.Live Streaming Video Free Online Tv at Home Game online for Live stream Video on your Online TV Broad cast Freya is recently engaged to the man of her dreams, wealthy playboy Dash Gardiner (Eric Winter), but when she finds herself inexplicably drawn to Dash’s troubled, enigmatic brother Killian (Daniel DiTomasso), bizarre occurrences begin to manifest in her life. Meanwhile, Joanna’s long-estranged sister Wendy (Mädchen Amick) shows up with a warning that could change the Beauchamps’ fate forever, forcing Joanna to reveal to her daughters that they are, indeed, immortal witches who possess great untapped powers. With their idyllic small-town life now turned upside down, and a formidable and ancient enemy intent on ending the Beauchamp family line, will Freya and Ingrid be able to accept their true potential before it is too late?I liked the pilot, and actually wished it would have been a bit longer. Its a light show, but fun. It's like Practical Magic (the movie), in that it combines a little dark, with light comedy. It is probably a bit younger than you'd expect for a Lifetime show, but based on the pilot, I'll be watching the next episode. The acting is good enough for the characters (I don't expect Emmy nominations though). I was glad to see Julia Ormond again, and I think Jenna Dewan Tatum is perfect for the role. The story seems to be set up nicely so that there will be some depth and twists to look forward to. We'll definitely have flashbacks and perilous situations to look forward to. A light alternative for Sunday nights. A fun and enjoyable story about a family of witches with a watchable talented cast of lovely actresses - what's not to like? A grown up Charmed with some Hot in Cleveland / Golden Girls chemistry thrown in.
Loved Julia Ormond in Mad Men recently and it's great she has found an interesting juicy dual role to play. Jenna Dewan is a good actress and it's great she has a chance to show it. Too bad about the short lived Playboy Club. So glad the still very lovely Madchen Amick has a regular role as a naughty witch. She was doing lots of guest roles recently but this role suits her to a t and she livens up the screen whenever she is on. Plus the excellent Virginia Madsen is here as well even though she is a little plumper she is still beautiful.
There aren't enough light hearted shows on TV right now and I hope this one lasts.So Far I am up to episode 4 and can say I don't see the big thrill of this TV show? I am not running it down or writing it as high up. It is a normal TV show and does not really get you excited to see the next episode. I would not be surprised if this TV show is canceled after season 1 but let's see what happens? This is not exactly the best TV show in the world and there are way better TV shows to watch for example the walking dead, vampire diaries, revolution etc. For the people out there who like spooky type stuff happening and supernatural things then by all means watch it but don't expect a lot to happen in the show. seems to build up on family and protection of family and this is even up to episode 4. The very first episode fell a bit flat and didn't really start with a bang or finish off with a bang to get you hooked, but depends on also what others think?
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Online The Real Housewives of Atlanta Season 6 Episode 4 Too Late to Apollo-Gize Review
The series delves into the lives of six sassy women from Atlanta's social elite. Juggling families, careers and a packed personal calendar, the Real Housewives live their triumphs and frustrations out loud. Atlanta continues to be a character in itself as one of the hottest entertainment hubs in America. These driven and ambitious women prove that they're not just Housewives, but entrepreneurs, doting mothers, and feisty Southern women.Live Streaming Video Free Online Tv at Home Game online for Live stream Video on your Online TV Broad cast I have to say that watching the Housewives of Atlanta can be both entertaining at times and quite sad too. For five very different housewives and I use that term loosely, the series opens up with newly divorced Sheree Whitfield. She is planning a lavish birthday party with bouncers, 100 invited guests, a cake shaped as a fancy purse, and a guest list that omits one of the wives, Nene, who is easily offended by this minor oversight. Instead of getting out of the wine cellar to correct the mistake, Sheree continues to party while Nene and Kim, another housewife, return home. I can see why Sheree is divorced to a former professional athlete from his point of view. Sheree is quite vain, conceited, and self-obsessed but so are the other wives. Kim is the blonde aspiring country singer who is only 29 years old divorced mother of two daughters. She is dating somebody known as Big Papa because he wants his privacy but I want to know if he has all this money then why does he waste it on her. Kim is equally spoiled by him. She only gets the top of the line bags. For her daughter Brielle's 11th birthday party, she hires a party planner for $5,000 who was an hour late. Brielle gets her own Luis Vitton handbag which costs about $1,610 from her mother. They go to a children's store for a fashion show. They go to a pastry place for a $2,000 cake which doesn't take so good and end up at a nearby hotel. There is Nene who is married to Greg and has two sons. At first, I didn't like her but she grew on me. I think because she's nothing like Sheree. Nene doesn't seem to need to spend so much money but I could be wrong. She embarrasses her older son, Brice, at a trip to Clark Atlanta University. Nene learns some difficult revelations about her own parentage. I think she becomes the most human of all the housewives. DeShawn is somewhat delusional. She has this huge estate and is married mother to another professional athlete. She formed a foundation to help self-esteem in young girls but DeShawn has illusions about her life. OUtside Atlanta, I don't know anything about sports. When she tries to hire an estate manager or personal assistant, the interviews are quite uncomfortable to watch. The real-estate broker is a young married mother of a 9 month infant. She won't do anything unless it makes money. She shows a spectacular home to music producer which it even includes a garage for your golf cart. The show is better than the New York series because of the Nene and Sheree friction. After seeing the series, you also get a feel for the high society of Atlanta.Just when you think housewives cannot get any more shallow or silly, here comes a cast of drag queens and fame seeking country queens. All are "new" money of course. Which means that overspending will be visible throughout the season. And intentional camera hogging will be of the utmost importance. Who is going to be the villain this season? NeNe of course. Am I the only one who thinks this woman has a need for camera time. Are Kim and NeNe really friends? After all, Kim does call her a drag queen in the previews. But I have to be honest with you, I am loving me some Kim and NeNe. The Gay community is going to love you both. By the way Kim, please do something with that hair, those extensions look awful. Get Big Papa to buy you some! I am sure he will. If all of that is your real hair, then we got a problem.
Online The Simpsons Season 25 Episode 6 The Kid Is All Right Review
The Simpsons focuses on a family of five. There is the father, Homer, a dull-witted, alcoholic, lazy, but lovable man. He often gets his family into crazy situations but always manages to fix things.Live Streaming Video Free Online Tv at Home Game online for Live stream Video on your Online TV Broad cast The mother, Marge, is a stay at home mom who keeps the family together. She is the ideal wife and mother though she can be a little naive at times. She always does what she thinks is best for her family. Next is Bart, the 10 year old boy who lives on playing pranks. He gets into a lot of trouble but is generally a good kid. Next is the neglected middle child, Lisa. Lisa is the brain of the family and sometimes feels left out because of that. She is an outcast at school because of her talent. Finally there is Maggie the baby. Though she doesn't say much she is well known especially for her red pacifier.What more can I possibly say about a TV show that has already been praised to death? I was 15 when the Simpsons first aired and I'm 25 now. I've seen every single episode, and I'd have to say it's a rare combination of factors that come together to make The Simpsons the best show ever.
It's a very clever and intelligent show - they never dumb anything down - and as creator Matt Groening has remarked, "The Simpsons is a show that rewards paying attention." There are always enough obscure pop-culture references or subtle background gags to ensure that the second, third, or tenth viewing of an episode will find you noticing something you hadn't before.
In the early days of The Simpsons, they derived a large part of their popularity from the everyday, down-to-earth, unglamorous, average-blue-collar-slob aspect of the Simpson family. Homer is lazy and doesn't like his job, Bart doesn't excel at school, the plastic ketchup bottle they use at the dinner table makes that farting sound, and so on. This aspect of the program contrasts it with popular 80's family sitcoms such as The Cosby Show which always featured impossibly well-functioning families who got along a little too perfectly and usually learned a neat little lesson at the end of each episode. An early tag-line for The Simpsons said that they "put the Fun back in Dysfunctional."
Perhaps this blue-collar-slobness by itself is nothing shockingly original - think of previous TV shows such as Roseanne, Married with Children, All in the Family, The Honeymooners - but the Simpsons doesn't stop there. This show is extremely densely packed with jokes - everything from cerebral witticisms and sly satire to Homer falling down and going "D'oh!" Because it's a cartoon, the writers can get away with surreal gags such as the time Homer tells a joke which falls flat, after which a long silence happens which is punctuated by a single tumbleweed rolling through the Simpson's living room.
There are just too many things to mention about The Simpsons. It can be touching occasionally; more often the viewers are treated to an unequalled cavalcade of obscure references, surreal sight gags, wacky adventures, self-mocking irony... The list goes on and on. Just watch it, else you're missing out on one of the most important elements of 1990's popular culture.
It's a very clever and intelligent show - they never dumb anything down - and as creator Matt Groening has remarked, "The Simpsons is a show that rewards paying attention." There are always enough obscure pop-culture references or subtle background gags to ensure that the second, third, or tenth viewing of an episode will find you noticing something you hadn't before.
In the early days of The Simpsons, they derived a large part of their popularity from the everyday, down-to-earth, unglamorous, average-blue-collar-slob aspect of the Simpson family. Homer is lazy and doesn't like his job, Bart doesn't excel at school, the plastic ketchup bottle they use at the dinner table makes that farting sound, and so on. This aspect of the program contrasts it with popular 80's family sitcoms such as The Cosby Show which always featured impossibly well-functioning families who got along a little too perfectly and usually learned a neat little lesson at the end of each episode. An early tag-line for The Simpsons said that they "put the Fun back in Dysfunctional."
Perhaps this blue-collar-slobness by itself is nothing shockingly original - think of previous TV shows such as Roseanne, Married with Children, All in the Family, The Honeymooners - but the Simpsons doesn't stop there. This show is extremely densely packed with jokes - everything from cerebral witticisms and sly satire to Homer falling down and going "D'oh!" Because it's a cartoon, the writers can get away with surreal gags such as the time Homer tells a joke which falls flat, after which a long silence happens which is punctuated by a single tumbleweed rolling through the Simpson's living room.
There are just too many things to mention about The Simpsons. It can be touching occasionally; more often the viewers are treated to an unequalled cavalcade of obscure references, surreal sight gags, wacky adventures, self-mocking irony... The list goes on and on. Just watch it, else you're missing out on one of the most important elements of 1990's popular culture.
Online Family Guy Season 12 Episode 6 Life of Brian Review
I cannot even begin to discuss how ridiculously smart and outrageously funny is this show. Not only does this program far surpass most of the comedies on television, it has the guts to hit topics that most of the overly sensitive public shies away from. I never understood why it was taken off the air in the first place. Fox can show something as tawdry and humanly degrading as Temptation Island, but Family Guy was too racy? Riiiight.
Live Streaming Video Free Online Tv at Home Game online for Live stream Video on your Online TV Broad cast
I absolutely must comment on the incredible voice talent done for this show, most especially the amazing creator himself, Seth MacFarlane. First of all, his versatility is unlike anything I have ever heard. When I discovered how many voices he actually performed, I was floored. I am currently receiving my masters in speech pathology so I find his ability particularly interesting. Not only can he speak in these individual voices, he can sing in them, and very well I might add.
The musical numbers in this cartoon revive a dying art. The "Road" episodes are a hysterical throw back to the Crosby/Hope movies, which is a reference I usually have to explain to my friends though they often must explain a few that I miss. In fact, the scope of the references range from cheesy 80's TV to political commentary to Broadway. This is why everyone will find something funny about this show. Everyone in one form or another can relate to it.
Most of my guy friends think I should be offended by the show because I am a woman and this is a "guy's show." Let me tell you, this is not the case at all. Lois Griffin is a freakin role model. I like to think I have half of her savvy when dealing with my ignorant boyfriends.
Absolutely excellent television. Edgy, funny, intelligent and extremely creative. This show was a breath of fresh air for mundane television and will soon awaken the network again. Seth MacFarlane, you are a genius!Family Guy" debuted in 1999 it was a shotgun blast of comic brilliance that came out of nowhere and went unheard by an audience still enraptured by the antics of "Friends". At first it all appears relatively routine, even - as many have accused - a ripe-off of "The Simpsons". Fat, child-like, head of household Peter Griffin (voiced by creator Seth MacFarlane) screws things up while dotting wife Lois (Alex Borstein), put-upon daughter Meg (Mila Kunis) and genetic copy Chris (Seth Green) look on. Also in the mix is genius, homicidal infant Stewie (MacFarlene) - one of the most deserving break-out characters in TV history - and Brian, the family's talking dog.
If the characters sound like clichés, that's the point. MacFarlane uses them simply as vessels and with the show regurgitates every pop culture childhood memory to create a full-length parody of 70s and 80s sitcoms. Even better than a parody, a satire. Just as Archie Bunker was a product of the 50s being imposed on by a changing 70s culture, "Family Guy" is about the new millennial values juxtaposed on sitcom camp of the last century. In MacFarlane's world there are child molesters on "Lost in Space" and "Eight is Enough" actually refers to disciplinary beatings.
Yes, "The Simpsons" have covered similar ground, with a particular emphasis on random flashbacks and fantasy scenes. But with "The Simpsons" in a creative tailspin for the last decade, MacFarlane and crew swoop in to fill this gaping void. To out-Simpson "The Simpsons" if you will. What MacFarlane brings to the table is pitch-perfect comic timing - an ability to know how quick to cut or how long to drag out a particular bit to get the laugh. As well as utter fearlessness. From bits in which Jesus Christ turns water "into funk" or a TV parody "Gumble 2 Gumble: Beach Justice" staring Greg and Bryant Gumble as bicycle cops, "Guy" isn't just one of the funniest things to grace TV, it was freakin' brilliant. This breaks from are more often like an animated version of "The Far Side", then "The Simpsons".
Then it was canceled only to be renewed at the 11th hour. And then it was canceled again, brought back supposedly by strong DVD sales. But given the networks ownership of the show and how Fox beat to death the equally strong "Futurama", it's hard to buy that. This constant shakeup has got to take a toll on a series' rhythm. When the show returned for a 3rd season it felt lacking of something. As if the network notes to "slow the pace", "tone down the fantasy scenes" and "thicken the story lines" were rigidly being followed when the breaking of these rules was what made the show great in the first place. Still it contained classics like "Emission: Impossible", "The Thin White Line", "Road to Rhode Island" and "Brian Wallows, Peter's Swallows" to keep us satisfied.
Live Streaming Video Free Online Tv at Home Game online for Live stream Video on your Online TV Broad cast
I absolutely must comment on the incredible voice talent done for this show, most especially the amazing creator himself, Seth MacFarlane. First of all, his versatility is unlike anything I have ever heard. When I discovered how many voices he actually performed, I was floored. I am currently receiving my masters in speech pathology so I find his ability particularly interesting. Not only can he speak in these individual voices, he can sing in them, and very well I might add.
The musical numbers in this cartoon revive a dying art. The "Road" episodes are a hysterical throw back to the Crosby/Hope movies, which is a reference I usually have to explain to my friends though they often must explain a few that I miss. In fact, the scope of the references range from cheesy 80's TV to political commentary to Broadway. This is why everyone will find something funny about this show. Everyone in one form or another can relate to it.
Most of my guy friends think I should be offended by the show because I am a woman and this is a "guy's show." Let me tell you, this is not the case at all. Lois Griffin is a freakin role model. I like to think I have half of her savvy when dealing with my ignorant boyfriends.
Absolutely excellent television. Edgy, funny, intelligent and extremely creative. This show was a breath of fresh air for mundane television and will soon awaken the network again. Seth MacFarlane, you are a genius!Family Guy" debuted in 1999 it was a shotgun blast of comic brilliance that came out of nowhere and went unheard by an audience still enraptured by the antics of "Friends". At first it all appears relatively routine, even - as many have accused - a ripe-off of "The Simpsons". Fat, child-like, head of household Peter Griffin (voiced by creator Seth MacFarlane) screws things up while dotting wife Lois (Alex Borstein), put-upon daughter Meg (Mila Kunis) and genetic copy Chris (Seth Green) look on. Also in the mix is genius, homicidal infant Stewie (MacFarlene) - one of the most deserving break-out characters in TV history - and Brian, the family's talking dog.
If the characters sound like clichés, that's the point. MacFarlane uses them simply as vessels and with the show regurgitates every pop culture childhood memory to create a full-length parody of 70s and 80s sitcoms. Even better than a parody, a satire. Just as Archie Bunker was a product of the 50s being imposed on by a changing 70s culture, "Family Guy" is about the new millennial values juxtaposed on sitcom camp of the last century. In MacFarlane's world there are child molesters on "Lost in Space" and "Eight is Enough" actually refers to disciplinary beatings.
Yes, "The Simpsons" have covered similar ground, with a particular emphasis on random flashbacks and fantasy scenes. But with "The Simpsons" in a creative tailspin for the last decade, MacFarlane and crew swoop in to fill this gaping void. To out-Simpson "The Simpsons" if you will. What MacFarlane brings to the table is pitch-perfect comic timing - an ability to know how quick to cut or how long to drag out a particular bit to get the laugh. As well as utter fearlessness. From bits in which Jesus Christ turns water "into funk" or a TV parody "Gumble 2 Gumble: Beach Justice" staring Greg and Bryant Gumble as bicycle cops, "Guy" isn't just one of the funniest things to grace TV, it was freakin' brilliant. This breaks from are more often like an animated version of "The Far Side", then "The Simpsons".
Then it was canceled only to be renewed at the 11th hour. And then it was canceled again, brought back supposedly by strong DVD sales. But given the networks ownership of the show and how Fox beat to death the equally strong "Futurama", it's hard to buy that. This constant shakeup has got to take a toll on a series' rhythm. When the show returned for a 3rd season it felt lacking of something. As if the network notes to "slow the pace", "tone down the fantasy scenes" and "thicken the story lines" were rigidly being followed when the breaking of these rules was what made the show great in the first place. Still it contained classics like "Emission: Impossible", "The Thin White Line", "Road to Rhode Island" and "Brian Wallows, Peter's Swallows" to keep us satisfied.
Online Homeland Season 3 Episode 9 Horse and Wagon Review
Who's the hero – who's the threat? When MIA Marine Sgt. Nicholas Brody returns home to a hero's welcome after eight years in enemy confinement, brilliant but volatile CIA agent Carrie Mathison isn't buying his story. She believes that Brody has been turned and is now working for Al Qaeda. What follows is a dangerous game of cat and mouse with nothing short of American national security at stake. Claire Danes, Damian Lewis and Mandy Patankin star in the provocative, suspenseful new Showtime Original Series HOMELAND, from Executive Producers of "24".Live Streaming Video Free Online Tv at Home Game online for Live stream Video on your Online TV Broad cast Wow, yeah, so a lot of people watched the final episode and thought the show sucked. Maybe they're right, a lot of them also seem to share the same problems with it, from the ending being disappointing to it being a "propaganda show" AGAINST the USA.
First of all, whatever the political aspirations of the show's creators, this is a fantastically solid, well-acted and directed first season of a show that feels like what 24 should have been from the start. Tight-knit, down-to-earth suspense with an actually realistic premise. As for the supposed "propaganda", it's time the people in the US hear what the rest of the world has been thinking for a decade now. No, really, we actually don't think it's absolutely ridiculous that 10 years of retaliatory wars in the Middle East will spawn some kind of blowback. This show explores what we've all been thinking, but American patriotism makes it shameful to admit. I find that incredibly strong and encouraging, and it makes me watch it not because I hate American, but because I enjoy and appreciate truth.
As for the acting, I sincerely hope Claire Danes will receive proper recognition. Especially in the last few episodes towards the end, her performance has been among the strongest on TV in years. Lately, only Brian Cranston's amazing tour-de-force in Breaking Bad has topped it. Damian Lewis, too, delivers like I've rarely seen. Far from the caricatures of Muslim terrorists Americans apparently would like to see, he sincerely and convincingly acts out the role of the man who is emotionally sure of what he wants, but not brainwashed enough to think is the absolute only way to achieve it. Desperation can make anyone rationalize their goals, but not always be enough for that final push.Who said American television couldn't produce an edgy, compelling drama that captivates an audience? Homeland is spell-binding, packed with enough twists and turns to keep even a seasoned mystery writer wondering. Superb acting and a script that manages to avoid the usual clichés. Kudos to the writers! I found myself debating the civil liberties vs. national security issues that are so artfully posed each week.Claire Danes, Damien Lewis and Mandy Patinkin inhabit their characters.The producers also refrained from populating the cast with impossibly beautiful people who are unlikely candidates for clandestine operatives. The performances are nuanced and exquisitely wrought.They raise serious questions about the sacrifices both personal and physical that are required in the world of espionage, and the political consequences of using "heroes" for cynical ends. This show and its ensemble cast are MUSTS for Emmy recognition.
First of all, whatever the political aspirations of the show's creators, this is a fantastically solid, well-acted and directed first season of a show that feels like what 24 should have been from the start. Tight-knit, down-to-earth suspense with an actually realistic premise. As for the supposed "propaganda", it's time the people in the US hear what the rest of the world has been thinking for a decade now. No, really, we actually don't think it's absolutely ridiculous that 10 years of retaliatory wars in the Middle East will spawn some kind of blowback. This show explores what we've all been thinking, but American patriotism makes it shameful to admit. I find that incredibly strong and encouraging, and it makes me watch it not because I hate American, but because I enjoy and appreciate truth.
As for the acting, I sincerely hope Claire Danes will receive proper recognition. Especially in the last few episodes towards the end, her performance has been among the strongest on TV in years. Lately, only Brian Cranston's amazing tour-de-force in Breaking Bad has topped it. Damian Lewis, too, delivers like I've rarely seen. Far from the caricatures of Muslim terrorists Americans apparently would like to see, he sincerely and convincingly acts out the role of the man who is emotionally sure of what he wants, but not brainwashed enough to think is the absolute only way to achieve it. Desperation can make anyone rationalize their goals, but not always be enough for that final push.Who said American television couldn't produce an edgy, compelling drama that captivates an audience? Homeland is spell-binding, packed with enough twists and turns to keep even a seasoned mystery writer wondering. Superb acting and a script that manages to avoid the usual clichés. Kudos to the writers! I found myself debating the civil liberties vs. national security issues that are so artfully posed each week.Claire Danes, Damien Lewis and Mandy Patinkin inhabit their characters.The producers also refrained from populating the cast with impossibly beautiful people who are unlikely candidates for clandestine operatives. The performances are nuanced and exquisitely wrought.They raise serious questions about the sacrifices both personal and physical that are required in the world of espionage, and the political consequences of using "heroes" for cynical ends. This show and its ensemble cast are MUSTS for Emmy recognition.
Online The Mentalist Season 6 Episode 8 Red John Review
A team of the Californian Bureau of Investigation (CBI) may officially be lead by haughty agent Lisbon. However, her mediocre intelligence and methods by the book are no match for 'mentalist' Patrick Jane.Live Streaming Video Free Online Tv at Home Game online for Live stream Video on your Online TV Broad cast Formally, the ex-medium-hustler is just a police consultant. In fact the detectives soon learn to look to him for ever brilliant and surprising observations, deductions, ploys and traps. No criminal ever outsmarts Jane - except perhaps Red John, who unwillingly motivated Patrick to start fighting crime.For anyone who thinks this is close to Psych...you're dead wrong. While both shows take a similar premise, they're so different in many ways. This show does have a man with the ability to spot minute details, but he does so much more, he plays mind games with people, reads their emotions and sets elaborate traps to catch them. Many compare him to Shawn Spencer of Psych, but I would rather compare him to Sherlock Holmes, except more tortured. The pilot obviously takes on a more serious approach than Psych and the dynamics of the show go from cute and funny to deeply disturbing in seconds.
It takes your one crime per episode procedural drama with a gifted detective and takes it one step further. Patrick Jane is more self effacing, gets into trouble and is a known fraud. But he isn't mean or intentionally rubs people the wrong way like House(also based on Holmes) or Spencer. He is very soothing, warm, instills trust and seems to get along with people pretty well, from the guy who did it to his team. At the same time, he does like to flex his intellect and power over people and loves to play games to get answers (and yet, so charming when he does so). So it's kind of disarming when you begin to see there are some serious issues with this character, he doesn't sleep, doesn't believe in life after death (and is happy that way), and is actually anti-social with the group. There are further reasons as to his psychosis that won't be discussed. Behind those warm baby blues, warm smile and calming presence, there is a man being crushed to death by very weighty issues.
Patrick Jane is a fantastic character, he's obviously brilliant, but a little distant and isn't fond of working with others. As a former faux psychic he seems pretty ready to disable believers. And of course, Simon Baker is a brilliant actor and is the reason I tuned in (I admit I too feared this was a Psych ripoff) and he brings so much depth to this character. When he plays his mind games he always brings a sense of "I know more than you and there is nothing you can do about it." type of amusement and when Red John or death apparates in conversation you see a distant look in his eyes that conveys more than what he actually saying (the psychiatry appointment in the pilot was incredible). He really plays off the layers of Patrick Jane well, pulling some back and when we get a true glimpse, the layers fall back in place. And credit goes to the set-up of Red John as his "nemesis" through a copy cat. He and Jane have a very tense meet up awaiting them, but I can wait for that just to experience the chase and the unraveling history between these two.
Another credit would go to the incredible Robin Tunney (of The Craft and Empire Records) who was reason number two for watching the pilot. She has had very little to work with in the first two episodes (but her role grew from 1 to 2 so I have faith), but she plays the hard nosed detective with a little more prudishness and distance than I would have expected. How much she knows about Jane and how far they go back is a mystery to me and their dynamic is interesting. She doesn't fall into stereotype and has retained a beguiling sense of mystery. I also appreciate the lack of clichéd moments "fraught with sexual tension" between Lisbon and Jane.
It takes your one crime per episode procedural drama with a gifted detective and takes it one step further. Patrick Jane is more self effacing, gets into trouble and is a known fraud. But he isn't mean or intentionally rubs people the wrong way like House(also based on Holmes) or Spencer. He is very soothing, warm, instills trust and seems to get along with people pretty well, from the guy who did it to his team. At the same time, he does like to flex his intellect and power over people and loves to play games to get answers (and yet, so charming when he does so). So it's kind of disarming when you begin to see there are some serious issues with this character, he doesn't sleep, doesn't believe in life after death (and is happy that way), and is actually anti-social with the group. There are further reasons as to his psychosis that won't be discussed. Behind those warm baby blues, warm smile and calming presence, there is a man being crushed to death by very weighty issues.
Patrick Jane is a fantastic character, he's obviously brilliant, but a little distant and isn't fond of working with others. As a former faux psychic he seems pretty ready to disable believers. And of course, Simon Baker is a brilliant actor and is the reason I tuned in (I admit I too feared this was a Psych ripoff) and he brings so much depth to this character. When he plays his mind games he always brings a sense of "I know more than you and there is nothing you can do about it." type of amusement and when Red John or death apparates in conversation you see a distant look in his eyes that conveys more than what he actually saying (the psychiatry appointment in the pilot was incredible). He really plays off the layers of Patrick Jane well, pulling some back and when we get a true glimpse, the layers fall back in place. And credit goes to the set-up of Red John as his "nemesis" through a copy cat. He and Jane have a very tense meet up awaiting them, but I can wait for that just to experience the chase and the unraveling history between these two.
Another credit would go to the incredible Robin Tunney (of The Craft and Empire Records) who was reason number two for watching the pilot. She has had very little to work with in the first two episodes (but her role grew from 1 to 2 so I have faith), but she plays the hard nosed detective with a little more prudishness and distance than I would have expected. How much she knows about Jane and how far they go back is a mystery to me and their dynamic is interesting. She doesn't fall into stereotype and has retained a beguiling sense of mystery. I also appreciate the lack of clichéd moments "fraught with sexual tension" between Lisbon and Jane.
Online The Walking Dead Season 4 Episode 7 Dead Weight Review
The world we knew is gone. An epidemic of apocalyptic proportions has swept the globe causing the dead to rise and feed on the living. In a matter of months society has crumbled. In a world ruled by the dead, we are forced to finally start living. Based on a comic book series of the same name by Robert Kirkman, this AMC project focuses on the world after a zombie apocalypse.Live Streaming Video Free Online Tv at Home Game online for Live stream Video on your Online TV Broad cast The series follows a police officer, Rick Grimes, who wakes up from a coma to find the world ravaged with zombies. Looking for his family, he and a group of survivors attempt to battle against the zombies in order to stay alive. The Walking Dead is an epic, edge-of-your-seat drama where personal struggles are magnified against a backdrop of moment-to-moment survival. A survivalist story at its core, the series explores how the living are changed by the overwhelming realization that those who survive can be far more dangerous than the mindless walkers roaming the earth. They themselves have become the walking dead.First heard about this show a few weeks back. Since I love zombie-movies I had to see what this was all about. At first glimpse I was a little skeptic, but the trailer convinced me otherwise.
I just watched the first episode and it matches all my expectations and MORE! I loved movies like Dawn of the Dead(new version), 28 days/weeks later, I Am Legend etc. This series is just like that, it's zombies/monsters but still very realistic.
The way the plot is presented is very entertaining, but not very surprising. The acting is top-notch and very believable. A drawback with TV-series is that the effects are usually quite tacky. However, here it's quite the opposite. Everything looks very realistic and honestly quite disgusting, in a good way.Lets get this out of the way straight away THIS WILL BLOW PEOPLES SOCKS OFF. Im not kidding. I know people here are attracted to this genre for various different reasons but i'd like to think we all share some connection when zombies are involved. For me its the post apocalyptic scenario. I don't particularly need the gore element but it has its place when used well.
In Darabonts take on the apocalypse, you are there. The world is dead and rotting. The military have lost the battle. You wake up with Rick in this new world and get to explore it with him. Its the exposition of the pilot that will probably put the gorehounds off and lead to some small criticism from others. Personally, i want to see that. I want to know how society responded to the phenomenon.
Those who have read the comic books here know that Kirkmans trick is to get you attached to the characters, like you know them intimately, then kill them off. Here Darabont uses the same trick but not how you would expect nor with who you would expect.
Im personally invested in this series already. God knows what it will do to the average TV viewer. Im also not a particularly emotional person but i don't mind admitting that i was close to tears on a couple of occasions. There you go. I've said it. Just don't tell anyone.
I cant say enough about Frank darabont after watching this. He understands what this genre is all about and, more importantly, he understands Romero's zombie world. The zombies are Roamers and lurkers. They act how they should and you do feel sorry for them. This is explored really well. They are a small threat but in groups all riled up and hungry. Well, you know the rest.
The score is also outstanding. Very understated but poignant. The cinematography is worthy of a movie and the camera moves a lot. I cant recall any shaky cam which some people here seem to despise.
Kirkman, Darabont and AMC have come up with the series we have been waiting years for. Long may it continue, and you know what? I think it will. The balance is perfect between a horror film, TV show and intelligent drama.
I just watched the first episode and it matches all my expectations and MORE! I loved movies like Dawn of the Dead(new version), 28 days/weeks later, I Am Legend etc. This series is just like that, it's zombies/monsters but still very realistic.
The way the plot is presented is very entertaining, but not very surprising. The acting is top-notch and very believable. A drawback with TV-series is that the effects are usually quite tacky. However, here it's quite the opposite. Everything looks very realistic and honestly quite disgusting, in a good way.Lets get this out of the way straight away THIS WILL BLOW PEOPLES SOCKS OFF. Im not kidding. I know people here are attracted to this genre for various different reasons but i'd like to think we all share some connection when zombies are involved. For me its the post apocalyptic scenario. I don't particularly need the gore element but it has its place when used well.
In Darabonts take on the apocalypse, you are there. The world is dead and rotting. The military have lost the battle. You wake up with Rick in this new world and get to explore it with him. Its the exposition of the pilot that will probably put the gorehounds off and lead to some small criticism from others. Personally, i want to see that. I want to know how society responded to the phenomenon.
Those who have read the comic books here know that Kirkmans trick is to get you attached to the characters, like you know them intimately, then kill them off. Here Darabont uses the same trick but not how you would expect nor with who you would expect.
Im personally invested in this series already. God knows what it will do to the average TV viewer. Im also not a particularly emotional person but i don't mind admitting that i was close to tears on a couple of occasions. There you go. I've said it. Just don't tell anyone.
I cant say enough about Frank darabont after watching this. He understands what this genre is all about and, more importantly, he understands Romero's zombie world. The zombies are Roamers and lurkers. They act how they should and you do feel sorry for them. This is explored really well. They are a small threat but in groups all riled up and hungry. Well, you know the rest.
The score is also outstanding. Very understated but poignant. The cinematography is worthy of a movie and the camera moves a lot. I cant recall any shaky cam which some people here seem to despise.
Kirkman, Darabont and AMC have come up with the series we have been waiting years for. Long may it continue, and you know what? I think it will. The balance is perfect between a horror film, TV show and intelligent drama.
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