I cannot even begin to discuss how ridiculously smart and outrageously funny is this show. Not only does this program far surpass most of the comedies on television, it has the guts to hit topics that most of the overly sensitive public shies away from. I never understood why it was taken off the air in the first place. Fox can show something as tawdry and humanly degrading as Temptation Island, but Family Guy was too racy? Riiiight.
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I absolutely must comment on the incredible voice talent done for this show, most especially the amazing creator himself, Seth MacFarlane. First of all, his versatility is unlike anything I have ever heard. When I discovered how many voices he actually performed, I was floored. I am currently receiving my masters in speech pathology so I find his ability particularly interesting. Not only can he speak in these individual voices, he can sing in them, and very well I might add.
The musical numbers in this cartoon revive a dying art. The "Road" episodes are a hysterical throw back to the Crosby/Hope movies, which is a reference I usually have to explain to my friends though they often must explain a few that I miss. In fact, the scope of the references range from cheesy 80's TV to political commentary to Broadway. This is why everyone will find something funny about this show. Everyone in one form or another can relate to it.
Most of my guy friends think I should be offended by the show because I am a woman and this is a "guy's show." Let me tell you, this is not the case at all. Lois Griffin is a freakin role model. I like to think I have half of her savvy when dealing with my ignorant boyfriends.
Absolutely excellent television. Edgy, funny, intelligent and extremely creative. This show was a breath of fresh air for mundane television and will soon awaken the network again. Seth MacFarlane, you are a genius!Family Guy" debuted in 1999 it was a shotgun blast of comic brilliance that came out of nowhere and went unheard by an audience still enraptured by the antics of "Friends". At first it all appears relatively routine, even - as many have accused - a ripe-off of "The Simpsons". Fat, child-like, head of household Peter Griffin (voiced by creator Seth MacFarlane) screws things up while dotting wife Lois (Alex Borstein), put-upon daughter Meg (Mila Kunis) and genetic copy Chris (Seth Green) look on. Also in the mix is genius, homicidal infant Stewie (MacFarlene) - one of the most deserving break-out characters in TV history - and Brian, the family's talking dog.
If the characters sound like clichés, that's the point. MacFarlane uses them simply as vessels and with the show regurgitates every pop culture childhood memory to create a full-length parody of 70s and 80s sitcoms. Even better than a parody, a satire. Just as Archie Bunker was a product of the 50s being imposed on by a changing 70s culture, "Family Guy" is about the new millennial values juxtaposed on sitcom camp of the last century. In MacFarlane's world there are child molesters on "Lost in Space" and "Eight is Enough" actually refers to disciplinary beatings.
Yes, "The Simpsons" have covered similar ground, with a particular emphasis on random flashbacks and fantasy scenes. But with "The Simpsons" in a creative tailspin for the last decade, MacFarlane and crew swoop in to fill this gaping void. To out-Simpson "The Simpsons" if you will. What MacFarlane brings to the table is pitch-perfect comic timing - an ability to know how quick to cut or how long to drag out a particular bit to get the laugh. As well as utter fearlessness. From bits in which Jesus Christ turns water "into funk" or a TV parody "Gumble 2 Gumble: Beach Justice" staring Greg and Bryant Gumble as bicycle cops, "Guy" isn't just one of the funniest things to grace TV, it was freakin' brilliant. This breaks from are more often like an animated version of "The Far Side", then "The Simpsons".
Then it was canceled only to be renewed at the 11th hour. And then it was canceled again, brought back supposedly by strong DVD sales. But given the networks ownership of the show and how Fox beat to death the equally strong "Futurama", it's hard to buy that. This constant shakeup has got to take a toll on a series' rhythm. When the show returned for a 3rd season it felt lacking of something. As if the network notes to "slow the pace", "tone down the fantasy scenes" and "thicken the story lines" were rigidly being followed when the breaking of these rules was what made the show great in the first place. Still it contained classics like "Emission: Impossible", "The Thin White Line", "Road to Rhode Island" and "Brian Wallows, Peter's Swallows" to keep us satisfied.